You could have seen individuals with little stickers on their faces. Perhaps you could have seen moons, stars, clouds and even smiley faces adorning people’s cheeks and cheeks. Maybe you wear them yourself. Although some people wear them as accessories, these colourful stickers are made into “pimp patches” designed for use to treat pimples or pimples.
Some patches contain only a gel formula, which helps heal the emerging scar. Some wearers go for near-transparent film patches to realize probably the most inconspicuous profit.
Far from a brand new fad, beauty patches have an extended history. The trend first took off in Seventeenth-century Europe, with patches constituted of paper, silk or velvet, and even positive leather, cut into lozenge shapes, stars or crescent moons.
They might be made in lots of colours, but black was generally preferred since it created a stark contrast to the best pale face of Western upper-class men and girls, who saw this color as A status symbolindicating that he had not gone out for work. the sport Bloort, Master Constable From 1602 explains one other appeal of patches – when well applied, they’ll “draw men’s eyes to look at you”.
Mentions of peach appear commonly in print from the late sixteenth and early Seventeenth centuries. Like today, beauty patches had a dual function. In his 1601 games Jack drum entertainmentJohn Marston explains: “Black patches are worn, some for pride, some to keep the remem, and some to hide the itch.”
Therefore, some people desired to make themselves more attractive, and a few – sometimes medicines were also used to dry the injuries. Some patches were used to cover scars comparable to those left by diseases comparable to smallpox and even syphilis.
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This latter use was why ethics took issue with the patch. one Anonymous book from 1665 A chaplain to King Charles claimed I had given a sermon comparing beauty patches to the Bible The sign of Kane. He is reported to have gone to this point as to suggest that the wearing of those accessories invited the plague: “Black patches and beauty spots… were forerunners of other spots, and signs of the plague”.
Other ethics focused on how, like makeup, their function was to hide and present a false front, which could deceive admirers. It was a criticism that took on more weight within the 18th century, when people associated using patches with sexual promise.
A Harlot’s Progress A series of images by William Hogarth (1731) depicting the autumn of a rustic girl, Moll Hickabout. Newly arrived in London, he’s betrayed by real-life keeper Elizabeth Needham. Needham’s face is roofed in dark patches.
Government servant Samuel Pepys Between 1660 and 1669 his diary makes greater than a dozen mentions of those patches. He first encountered “two very beautiful women, very fashionable and with dark patches, who sang very happily on a business trip to The Hague within the spring of 1660.
On a walk through the town the following day, he notes that: “Everyone of fashion speaks French or Latin, or both. A lot of them beautiful and well-behaved, fashionable and in black spots.”
He said that the patches were often moistened with spit to carry them together. In May 1668, he recalled seeing Lady Castlemaine – Charles II’s mistress – demand a patch from her maid’s face, wet it in her mouth and apply it to the side of her face. We know from Pepys that James, Duke of York, also favored a patch or two.
By August of that yr, Pepys noted in a diary entry that his wife Elizabeth was sporting black patches of a date. Yet he appeared to have forgotten it when he noted in November: “My wife looked so beautiful today, it’s the first time I’ve given her permission to wear a black patch.” He himself erected a patch in September 1664 when he woke up with a hole mouth.
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The fashion for wearing patches grew in him Period of recovery .
The English author Mary Evelyn explained that “bees, or black patches” were the fashionable French name, as patches were called “bees” in French and sometimes in English. Evelyn’s poem Unlock Women’s Dressing Roompublished later in 1690, the Restoration was a biting satire on the Francophile fashions of London that Evelyn thought would only be obscene.
While it’s hard to see how people wearing spot patches today might be subject to the identical type of moral backlash seen prior to now, there are. Corners of the Internet These pranks exit with spot patches showing people to make fun of them.
Whether they work or not, pimp screws are a harmless accessory. From the late Seventeenth century, books begin to discuss with patch boxes, specifically small containers designed to carry patches.
Fashionable types liked to hold little silver boxes specially designed to carry their velvet or silk patches. Perhaps this will likely be the following development in the trendy pimple patch craze.
